#Scopebox for windows software

We actually under-lit this shot with the LED LiteRing and had to work a bit harder in compositing with Keylight as a result. This shot was done without any scope and we had to “guess” at our exposures and the amount of LED light we needed to get the key. I have over-blown some shots, had issues with not enough lumanence in the green channel and just overall poor screen coverage, relying on only the on-camera viewfinder as my monitor in the field! The results of improper balance of lighting the green screen – ESPECIALLY with the projected LED LiteRing, can throw off color balance, saturation and give you an overall horrible key! I’ve even used a balanced field monitor and thought I had a good shot but when I matched the same shot & lighting with a scope, I could see where I was off with both the background lighting and the foreground color balance. He shares the importance of getting the green luminance balanced and centered in the middle of the green spectrum as close as possible to get the best key. I first got my cue about using a scope from Alex Lindsay, who has also posted an article on shooting green screen here on PVC.

#Scopebox for windows software

I’ve been testing the Reflecmedia LED LiteRing system for about a month now, and it wasn’t until I paired it with the ScopeBox software scope that I finally gained some real control in my shots! These products should be bundled in my opinion, because without a scope, it’s nearly impossible to tell on a preview monitor if you’ve got the correct gain or lighting from your LED LiteRing.